Drive It Like It’s Stolen (DILIS) is Arizona rap group Injury Reserve’s second EP. Following 2015’s Live From the Dentist’s Office and 2016’s Floss, Injury Rese... Read More
Unless you’ve been living under a rock for the last couple of months, you know that we are in a fairly difficult political climate. While I might recommend a ba... Read More
Dear Weezer,
As I sit in my car and blast your 1996 masterpiece Pinkerton — an allusion to Madame Butterfly — I feel an urge to comment on your newly release... Read More
At a certain undetermined point every weekend, I don’t really think that I exist outside of the rhythm. I close my eyes and let the music take me over. The beat... Read More
In May of 2012, B.o.B released Strange Clouds, which my eighth grade self pegged as the best thing since sliced bread (or, more accurately, the best thing since... Read More
By virtue of the internet, the millennial generation has developed a unique relationship to music. Its distribution, its production, and its consumption have al... Read More
Lyrics are an essential aspect of music for many listeners. In order to appreciate what they are listening to, many fans read the words of the song while the mu... Read More
This summer, Death Grips released their new album Bottomless Pit. When they announced a three-show mini-tour including a show at Terminal 5 in New York this Sep... Read More
Photo Courtesy of Shy Shape
One of the best parts about going to Rutgers is the music scene that has been cultivated here in New Brunswick. It feels ... Read More
Photo courtesy of Rachel Harding via The World’s Afterparty Instagram page.
As little as three years ago, the New Brunswick ska music scene was dead. The stron... Read More
Extremely Loud and Incredibly Close.
This was the first thought that came to mind after hearing J. Cole’s 4 Your Eyez Only for the first time. Howe... Read More
When in the course of human events it becomes necessary for a publication to explore new frontiers of journalistic expression, it is incumbent upon th... Read More
